USC Thornton School of Music
Percussion Audition Information
BA, BM,
MM, Graduate Certificate (GCRT), DMA
Applicants
to programs in Percussion must submit an audition VIDEO recording to be
pre-screened by the faculty.
Undergraduate pre-screen recording requirements
Persons
failing to prepare the full pre-screen requirements described below will not be
permitted to perform a live audition nor offered admission to the program.
Snare
Drum
- Long Roll-Start pp and gradually
crescendo to ff, hold at ff for a few
seconds, and gradually diminuendo back to pp for a total
duration of 25-30 seconds.
- Pratt “Drum Corps on Parade from 14
Modern Contest Solos for Snare Drum”– From the beginning to the
downbeat of measure 28 (1/4 note = 108).
Mallets
- Two Mallets (to be played on marimba)
- JS Bach “Violin Concerto
in A Minor” (Transcription from Morris Goldenberg “Modern Method
of Xylophone”): Play from the beginning to the down beat of letter B.
Quarter = 104.
- Four Mallets
- JS Bach “Tempo de
Bouree'” From Partita #1 first 20 bars 1st time only (1/2 note =
66).
Timpani
(Please
tune exclusively with an A440 tuning fork, and without the use of an electronic
tuner)
- Starting with the pedals in a low position,
tune a B natural on the 29″ drum and an E natural on the 26″. Perform
Goodman “The Modern Method for Timpani” – Etude #49.
Graduate pre-screen recording requirements
Important
notes:
- DMA applicants are required to submit a
“Personal Introductory Video” as part of their SlideRoom Portfolio. For
detailed instructions click here.
- Persons failing to prepare the full
pre-screen requirements described below will not be permitted to perform a
live audition nor offered admission to the program.
Snare
Drum
- Long Roll-Start pp and
gradually crescendo to ff, hold at ff for a
few seconds, and gradually diminuendo back to pp for a
total duration of 25-30 seconds.
- Pratt “Drum Corps on
Parade from 14 Modern Contest Solos for Snare Drum”– From the
beginning to the downbeat of measure 28 (1/4 note = 108)
- Delecluse “Etude No. 1
from 12 Etudes pour Caisse Claire”. Play from the beginning to
the downbeat of measure 46. (1/4 note = 76).
Mallets
- Two mallets
- Any two mallet movements from J.S.
Bach Sonatas and Partitas for Solo Violin or Suites
for Solo Cello (no repeats).
- Four mallets
- A 2-3 minute excerpt from a
work of your choice.
Timpani
(Please
tune exclusively with an A440 tuning fork, and without the use of an electronic
tuner)
- Record the following excerpts in
one take without stopping as if playing a live audition.
- Beethoven “Symphony no.
9” coda (1st mvt., 18 before S to the end).
- Hindemith “Symphonic
Metamorphases” (2nd mvt., S to T).
- Tchaikovsky “Symphony
no. 4” (1st mvt., 2 before T to 3 before U).
-
Undergraduate live audition repertoire
Based on
the result of the pre-screen video recording, the faculty will invite a select
group of applicants to the USC campus in Los Angeles for a live audition. If
invited, it is REQUIRED that you audition live in person (it is not possible to
be admitted to this program by recording).
If
invited to a live audition, applicants should bring two bound copies of all
materials.
Snare
Drum
- Rudimental Solo Etude from Pratt,
Wilcoxon or the equivalent.
- Concert Solo Etude from Cirone
Portraits in Rhythm, Mitchell Peters Advanced Studies or Delecluse 12
Etudes, or the equivalent.
- Knowledge of rudiments and
ornaments.
- Ability to roll at all dynamic
levels.
- Sight-reading.
Mallets
- Two-mallet solo of your choice
that would be suitable for a recital.
- Four-mallet Marimba or Vibraphone
solo of your choice that would be suitable for a recital.
- Knowledge of scales and
arpeggios.
- Sight-reading.
Timpani
- Etude from Goodman method, Firth,
Delecluse, Hochrainer books or the equivalent.
- Ability to tune accurately.
- Sight-reading.
Graduate live audition repertoire
Based on
the result of the pre-screen video recording, the faculty will invite a select
group of applicants to the USC campus in Los Angeles for a live audition. If
invited, it is REQUIRED that you audition live in person (It is not possible to
be admitted to this program by recording).
If
invited to a live audition, applicants should bring two bound copies of all
materials.
Snare
Drum
- Rudimental Solo Etude from Pratt,
Wilcoxon or the equivalent.
- Concert Solo Etude from Cirone
Portraits in Rhythm, Mitchell Peters Advanced Studies or Delecluse 12
Etudes, or the equivalent.
- Knowledge of rudiments and
ornaments.
- Ability to roll at all dynamic
levels.
- Sight-reading.
- Four standard orchestral
excerpts.
Mallets
- Two-mallet solo of your choice
that would be suitable for a recital.
- Four-mallet Marimba or Vibraphone
solo of your choice that would be suitable for a recital.
- Knowledge of scales and
arpeggios.
- Sight-reading.
- Three standard orchestral
excerpts on Xylophone and 2 on Glockenspiel.
Timpani
- Etude from Goodman method, Firth,
Delecluse, Hochrainer books or the equivalent.
- Ability to tune accurately.
- Sight-reading.
- Four standard orchestral
excerpts.
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Updated
on 08/15/2018