SFCM | San Francisco Conservatory of
Music
Brass
audition
HORN
Undergraduate (repertoire does not need to be memorized)
- Major, minor, and chromatic scales
- First movement, Mozart Concerto No. 2, 3, or
4
- First movement, Strauss Concerto No. 1
- Three contrasting orchestral excerpts (for
example: Tchaikovsky Symphony No. 5, Beethoven Symphony No. 3, and
Strauss Till Eulenspiegels lustige Streiche)
- Sight reading (if applicable)
Graduate (repertoire does not need to be memorized)
- Strauss Concerto No. 1 or comparable work
- A 20th-century work for horn alone
- Selected orchestral excerpts
- Sight reading (if applicable)
TRUMPET
Undergraduate (repertoire does not need to be memorized)
- Charlier Étude No. 2
- Any non-lyrical etude (Arban, Bitsch,
Bousquet, Brandt, Charlier, etc)
- Concerto, Sonata or Solo of choice from
standard repertoire
- Orchestral excerpts - Beethoven Leonore
Overture No. 3 Offstage call; Mussorgsky/Ravel Pictures
at an Exhibition Opening solo; Transfer students: Above rep plus
Respighi Pines of Rome Offstage Solo
- Two-octave concert Bb major scale: quarter
note = 80, legato tongue
Graduate (repertoire does not need to be memorized)
- Charlier Étude No. 2
- Any non-lyrical etude (Arban, Bitsch,
Bousquet, Brandt, Charlier, etc)
- Concerto, Sonata or Solo of choice from
standard repertoire
- Orchestral excerpts: Beethoven Leonore
Overture No. 3 Offstage call; Mussorgsky/Ravel Pictures
at an Exhibition Opening solo; Respighi Pines of
Rome Offstage solo, Mahler 5 Opening solo, Petrouchka (1947
version) Ballerina's dance
- Two-octave concert Bb major scale: quarter
note = 80, legato tongue
TROMBONE (TENOR)
Undergraduate (repertoire does not need to be memorized)
- Études from J. Rochut Melodious
Études, Book 1
- Solo of choice with contrasting sections
- Excerpts from the symphonic repertoire
(Ravel Bolero, Mozart Requiem: Tuba mirum,
Berlioz Hungarian March). (Incoming freshmen excluded).
- Sight reading
Graduate (repertoire does not need to be memorized)
- Solo (concerto or solo piece of student’s
choice) with contrasting sections
- Orchestral excerpts (Berlioz Rakóczy
March, second trombone part; Mahler Symphony No. 3, 14–17 and 33–34;
Mozart Requiem: Tuba mirum; Ravel Bolero;
Rossini Overture to La gazza ladra; Schumann Symphony No. 3;
Wagner Ride of the Valkyries)
- Sight reading
TROMBONE (BASS)
Undergraduate (repertoire does not need to be memorized)
- Études from J. Rochut Melodious
Études, Book 1
- Solo of choice with contrasting sections
- Excerpts from the symphonic repertoire
(Tchaikovsky Symphony No. 4, Brahms Symphony No. 1, Schubert Symphony in C
Major, Berlioz Hungarian March)
- Sight reading
Graduate (repertoire does not need to be memorized)
- Solo (Sarabande from Bach Cello Suite No. 5,
or piece of student’s choice) with contrasting sections
- Orchestral excerpts (Haydn The
Creation, No. 26; Kodály Háry János Suite, fourth
movement; Rossini Overture to La gazza ladra; Schumann
Symphony No. 3, fourth movement; Strauss Ein Heldenleben;
Wagner Entrance of the Gods into Valhalla; Wagner Overture
to Tannhäuser)
TUBA
Undergraduate (repertoire does not need to be memorized)
- One étude
- A legato study (such as Rochut)
- Solo literature
- Orchestral excerpts (incoming freshmen excluded)
Graduate
Solo (Vaughan Williams Concerto for Bass Tuba: first movement, or piece of
student’s choice)
- Orchestral excerpts (Berlioz Rakóczy
March; Berlioz Symphonie fantastique; Hindemith Symphonic
Metamorphosis; Strauss Till Eulenspiegel; Stravinsky Petrushka;
Wagner Overture to Die Meistersinger or Ride of
the Valkyries)
Updated on 08/10/2018