Herberger Institute for Design and the Arts

Herberger Institute for Design and the Arts

String Audition Information 

 

 

l  Piano accompaniment is not required for any string audition, however, applicants are permitted to perform with accompaniment through their own arrangements if they so choose.  

l  Pianists are not provided for auditions.

 

 

Violin (MM)

 

l  An outer movement of a standard concerto from the 19th or 20th century. 

l  J.S. Bach: Two contrasting movements from any of the unaccompanied violin sonatas or partitas. 

l  An additional work of contrasting style.

 

 

Violin (DMA)


 

Prescreening Requirements

 

  • l  An outer movement of a standard concerto and two movements of unaccompanied Bach.


 

Live audition Requirements

 

l  A complete concerto from the 19th or 20th century. 

l  J.S. Bach: A complete unaccompanied violin sonata or partita. 

l  An additional work of contrasting style.

 

 

 

Viola (MM)

 

l  J.S. Bach: Two contrasting movements from any of the unaccompanied cello suites. 

l  First movement from one of the major viola concertos, such as Bartók, Walton, Schnittke, or Hindemith: Der Schwanendreher. 

l  An additional work of contrasting style.

 

 

Viola (DMA)


The prescreening Requirements

 

  • l  An outer movement of a standard concerto and two movements of unaccompanied Bach.


Live Audition Requirements

 

l  J.S. Bach: A complete unaccompanied cello suite. 

l  A complete viola concerto, such as Bartók, Walton, Hindemith, or Schnittke. 

l  An additional work composed within the last fifty years, such as Penderecki: Cadenza or Ligeti: Sonata.

 

 

 

CELLO (MM)

 

l  An outer movement of a standard concerto. 

l  J.S. Bach: Two contrasting movements from any of the unaccompanied cello suites. 

l  An etude by Popper or Piatti.

 

 

Cello (DMA)


The Prescreening Requirements

 

l  An outer movement of a standard concerto and two movements of unaccompanied Bach.

 

 

Live audition requirements

 

l  A complete concerto. 

l  J.S. Bach: A complete unaccompanied cello suite. 

l  An additional work of contrasting style.

 

 

 

Double Bass (MM)

 

l  Two contrasting movements of a standard concerto. 

l  A movement of a standard sonata. 

l  A shorter work from an additional style period.

 

 

Double Bass (DMA)


The prescreening requirements

 

l  An outer movement of a standard concerto and two movements of unaccompanied Bach.

 

Live audition requirements

 

l  A complete concerto. 

l  J.S. Bach: 3-4 contrasting movements from any of the unaccompanied cello suites. 

l  An additional work of contrasting style.

 

 

 

Harp (MM) Auditions by appointment 

 

l  One solo of choice, from the standard harp repertoire. 

l  One solo work from the Baroque or Classical period. 

l  One solo work from the 20th Century period. 

l  Two Orchestral Cadenzas. 

l  LaRiviere: Etude No. 36 in E-flat.

 

 

 

Harp (DMA)


The prescreening requirements

 

l  20-30 minutes of any portion of a public recital, concerto, or chamber music performance showcasing your ability in the most positive way.

 

 

Live audition requirements

 

l  One solo of choice, from the standard harp repertoire. 

l  One solo work from the Baroque or Classical period. 

l  One solo work from the 20th Century period. 

l  Two Orchestral Cadenzas. 

l  LaRiviere: Etude No. 36 in E-flat.

 

 

 

 

 

                                                                                                                                     Updated on 08/03/2018