Herberger Institute for Design and the Arts
Herberger Institute for Design and the Arts
String Audition Information
l Piano accompaniment is not required for any string audition, however, applicants are permitted to perform with accompaniment through their own arrangements if they so choose.
l Pianists are not provided for auditions.
Violin (MM)
l An outer movement of a standard concerto from the 19th or 20th century.
l J.S. Bach: Two contrasting movements from any of the unaccompanied violin sonatas or partitas.
l An additional work of contrasting style.
Violin (DMA)
Prescreening Requirements
l An outer movement of a standard concerto and two movements of unaccompanied Bach.
Live audition Requirements
l A complete concerto from the 19th or 20th century.
l J.S. Bach: A complete unaccompanied violin sonata or partita.
l An additional work of contrasting style.
Viola (MM)
l J.S. Bach: Two contrasting movements from any of the unaccompanied cello suites.
l First movement from one of the major viola concertos, such as Bartók, Walton, Schnittke, or Hindemith: Der Schwanendreher.
l An additional work of contrasting style.
Viola (DMA)
The prescreening Requirements
l An outer movement of a standard concerto and two movements of unaccompanied Bach.
Live Audition Requirements
l J.S. Bach: A complete unaccompanied cello suite.
l A complete viola concerto, such as Bartók, Walton, Hindemith, or Schnittke.
l An additional work composed within the last fifty years, such as Penderecki: Cadenza or Ligeti: Sonata.
CELLO (MM)
l An outer movement of a standard concerto.
l J.S. Bach: Two contrasting movements from any of the unaccompanied cello suites.
l An etude by Popper or Piatti.
Cello (DMA)
The Prescreening Requirements
l An outer movement of a standard concerto and two movements of unaccompanied Bach.
Live audition requirements
l A complete concerto.
l J.S. Bach: A complete unaccompanied cello suite.
l An additional work of contrasting style.
Double Bass (MM)
l Two contrasting movements of a standard concerto.
l A movement of a standard sonata.
l A shorter work from an additional style period.
Double Bass (DMA)
The prescreening requirements
l An outer movement of a standard concerto and two movements of unaccompanied Bach.
Live audition requirements
l A complete concerto.
l J.S. Bach: 3-4 contrasting movements from any of the unaccompanied cello suites.
l An additional work of contrasting style.
Harp (MM) Auditions by appointment
l One solo of choice, from the standard harp repertoire.
l One solo work from the Baroque or Classical period.
l One solo work from the 20th Century period.
l Two Orchestral Cadenzas.
l LaRiviere: Etude No. 36 in E-flat.
Harp (DMA)
The prescreening requirements
l 20-30 minutes of any portion of a public recital, concerto, or chamber music performance showcasing your ability in the most positive way.
Live audition requirements
l One solo of choice, from the standard harp repertoire.
l One solo work from the Baroque or Classical period.
l One solo work from the 20th Century period.
l Two Orchestral Cadenzas.
l LaRiviere: Etude No. 36 in E-flat.
Updated on 08/03/2018